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Typically, DMCA infringement warnings are sent as a result of an ISP customer using BitTorrent to acquire media or software illicitly.

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Adding insult to injury, the hash listed on the notice is the same one associated with Canonical's own torrent for Ubuntu 20.04.2-u/NateNate60 was getting dinged for torrenting an unmodified copy of an open source operating system.

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The strange thing about this warning was the 'infringed work' in question: Ubuntu 20.04, which is free to redistribute by any means desired. The notice warned him that Comcast had 'received a notification by a copyright owner, or its authorized agent, reporting an alleged infringement of one or more copyrighted works.' I put AC 2 just a notch behind the transcendence of AC1, but we had a hell of a phish show tonight.This week, Redditor u/NateNate60 got a nasty surprise in his inbox-a DMCA infringement warning from his ISP, Comcast Xfinity. And then Tweeprise is the jump up and down fist pumper that everyone wants to hear, and it sends us onto the wilds of the AC boardwalk, grinning from ear to ear in my case. Slave allows the band and crowd to marvel at our surroundings and contemplate the moment before the traditional glory chords signal the end of the set.ĪLBTD is the show’s lone ballad and Trey brings it to an emotional peak. Number Line continues the party atmosphere, as does Golgi which had a very unusual several minute build-up before it’s usual white light peak. No Mans through Simple was all killer stuff.

SYSF continued to allow the band to showcase improv and build a bridge into Simple, where the band took the set’s ramping energy and maneuvered it a slowly building ecstatic rocking peak.

And then Tweezer proper was a beast, as the tension releases into celebration, ecstatic segments of music ensued showcasing multiple jam styles. No Mans, the band wastes no time entering a slick grooving funk jam, which then draws out into an oozing tension-build exercise, it felt to me like the last ~5 min of No Mans was Trey slowly drawing back the Tweezer arrow, patiently waiting to let it fly. The church of phish love is such a holy place to be. Screeching Moonage peak of glory sends us into set break. Zero rocked hard and got jammed out for a few awesome but brief minutes, Trey opting for the Bowie cover, which I was stoked for and which tore shit up. I could see it coming back up in shows that require a Page vehicle a la MEAP. It kind of slayed? Leo led first segment was nice but then it gets quickly into a pretty nasty groove. Heavy Rotation, a Page song that I will go ahead and admit I did not recognize - somewhat relieved to see it’s only the 2nd performance ever by the band. Gin gave us the first big jam of the night, but instead of Sigma’s exploratory movement last night we got a slow burn of crescendoing rock riffs that escalated into a massive and satisfying peak. Side note - can we get a Wipeout bust out please? My Soul > 555 > NICU all rocked, tightly played - sand dollar, day at the shore got a nice pop from the crowd. Olivia’s Pool, aka Shafty but filtered by way of a 60s acid-washed surfer band, was extremely fun and a rarity I was stoked to see live. It’s an extremely fun time to be a fan.Ĥ6 Days > Moma, very fun start to a show, both tight concise rocking versions. I agree with others who have commented that 2021-2022 seems to be a new high-water mark era for the band from both a musical and technological standpoint - inventive jamming is happening in both sets with consistency and Kuroda’s kidnapped alien robot intelligence-powered drone-light ballet is peaking right along with the music. Party vibes diffused both sets, and funky grooves blossomed into deep jams in S2. Phish threw down hard for Saturday night on the beach in AC.

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